
No camera. No actors. No set.
A pop-rap duo hits its mark on a film shoot that never stops changing sets.
Hit Your Mark is a 2 min 25 music video for a fictional pop hip hop duo, Kairo & Séla. The song takes its title from what a director tells an actor: stand exactly here, at exactly this moment. The film follows that idea from start to finish. It opens inside a photographer's lens and ends in the director's chair, on the word that ends every shoot.
Every frame was generated with AI. The artists, the four sets, the supporting characters and every camera move were designed for this film and directed shot by shot.
- Title
- Hit Your Mark
- Artists
- Kairo & Séla (fictional duo created for the film)
- Director
- Gabriel Brien
- Production
- Crimson Spark Agency, Montreal, Canada
- Genre
- Music video · pop hip hop · surreal
- Runtime
- 2 min 25
- Language
- English
- Format
- 16:9, 1080p, 24 fps, stereo · vertical 9:16 version available
- Completed
- October 2026
- Technique
- Fully AI-generated, human-directed
Four impossible sets. One shoot.
The clip opens inside a photographer's lens. Kairo raps on an upside-down soundstage, furniture fixed to the ceiling and a cloud raining indoors, while Séla rises from a puddle under the flashes of a photographer with a giant mustache.
Verse two moves to a luxury pool, where Kairo's bodyguards, a crocodile and a shark, end up fighting over an olive while Séla lounges under a rain of gold coins. At the circus, Kairo enters on an elephant, Séla rides a tiger, caged dancers move in sync, and the director himself steps into frame to shake Kairo's hand.
The bridge plays out in a room built from old televisions, ruled by a TV-head man, every screen showing Séla. At the end, the cast freezes and the director, in his chair, calls "Cut."




Someone still decides where everyone stands.

Every music video is a shoot, so I wanted to make one about the shoot itself.
"Hit Your Mark" is what a director tells an actor: stand exactly here, at exactly this moment, and deliver. The song carries that idea, and the film follows it. It opens inside a photographer's lens and ends in the director's chair, on the word every shoot ends with.
Kairo and Séla don't exist. Neither do the upside-down soundstage, the pool with its crocodile and shark, the circus or the room built from old televisions. Every frame was generated. That freedom is what drew me in: no location to book, no permit, no budget limit on what a set can be. If I could imagine a cloud raining indoors, it could be in the shot.
Freedom alone doesn't make a film. What made it work was treating it like a real production. I designed every character and every look before the first shot. I mapped the song line by line, because lip sync either lands on the beat or breaks the illusion. I wrote camera moves for every shot and asked for nothing traditional. Then I reviewed it shot by shot, over four versions, until each one hit its mark.
I put myself in it twice: a handshake with Kairo at the circus, and the final "Cut." It's my way of saying that someone is behind the camera, even when there is no camera.
The tools have changed. The job hasn't.
The cast
Every character was designed before the first shot, with one reference sheet per look. Kairo and Séla change outfits in every set: eight looks in total, each built around one signature piece.








Séla. The hook singer. Pearl seashell updo in the studio, liquid gold at the pool, crimson platform boots at the circus, a satellite-dish hat in the TV room.
Kairo. The rapper. Lilac fur and crimson glasses in the studio, a lightning flat-top at the pool, a giant leopard top hat at the circus, a silver space suit in the TV room.
Directed like a real shoot.
The concept
A song about hitting your mark, so a video about the shoot itself: from the photographer's lens to the director's chair.
Four sets
One set per part of the song: an upside-down studio, a pool, a circus and a room built from old televisions.
Reference sheets first
Every character and every look approved before the first shot, so the faces stay the same from shot to shot and set to set.
The song, mapped
Vocals isolated and every line timed to the fraction of a second before generating anything. Lip sync lives or dies on that.
The lip-sync rule
Three sung moments per verse and chorus, beginning, middle and end. Close-up, five seconds max, mouth closed until the voice starts. Everything in between is story.
Disruptive camera
Nothing traditional: a camera strapped to the rapper, a trapeze swing, a crane rising from the floor, a dive through a wine glass, a speed ramp from a TV screen to full body.
Shot-by-shot review
Four versions. Each one reviewed shot by shot with written notes, and the next version answered them one by one. Version four was approved as is.
The finish
Color grade, 35 mm grain, a REC viewfinder on the intro, sound design, and the director's own voice for the last word.
From the film








8 stills available in 1920×1080 on request · © Crimson Spark Agency.

Gabriel Brien
Director of Hit Your Mark. AI filmmaker and creative director, founder of Crimson Spark Agency, based in Greater Montreal.
Canadian filmmaker from Montreal, creative director and founder of Crimson Spark Agency, Gabriel Brien works where cinema, music and generative AI meet. He comes from a mixed background in technology, business and creative production, and he makes films outside the traditional studio system.
With Hit Your Mark, his first music video, he directs a fictional pop-rap duo across four impossible sets. He directed it like a real shoot: a reference sheet for every character, a song mapped line by line, camera moves written for each shot, and a shot-by-shot review over four versions. He also appears in the film, shaking hands with the rapper at the circus and calling the final "Cut."
His previous film, Last One, the first film of the Lolly series, won the Grand Prize at AI Independent Montreal and Best Technical AI at the Ai & Robots Film Festival in 2026.
The technology is the instrument. The intention, the rhythm and the performance are directed by a person.
Crimson Spark Agency
An AI production studio in Greater Montreal. Crimson Spark makes ads, product launches, brand films, music videos and short films for brands, agencies, artists and producers in Quebec, Canada and abroad.
AI replaces the crew, the location and the days of shooting. It does not replace direction: every shot is chosen, composed and edited by a creative director, following a documented method for character, lighting and scene continuity.

- Directed by
- Gabriel Brien
- Production
- Crimson Spark Agency
- Artists
- Kairo & Séla
- Song
- "Hit Your Mark", original song written for the film
- Cameo
- Gabriel Brien as the director
- Film
- 1080p master with sound, download link on request
- Teaser
- 30 s, vertical 9:16
- Making-of
- "How this was made", 16:9 and 9:16
- Images
- 8 stills, character sheets, logo
- Interviews
- English or French
Gabriel Brien
Creative director and founder
gabriel@crimsonsparkagency.com
crimsonsparkagency.com
Interviews by video call, in English or French
Press and screening requests by email